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Movie Review:

Bajrangi Bhaijaan is an action action romantic drama movie directed by Kabir Khan. It's a man - (Pavan / Bajrangi) on mission story about a little girl from Pakistan lost in India and how she is reunited with her country and family with the help of Bajrani Bhaijaan.

A 5 years old girl - Munni (Harshaali Malhotra) from Pakistan gets separated from her mother at an Indian railway station. Lost and hungry she finds shelter at the home of Pavan,an ardent devotee of Hanuman, a devout Hindu and hailing from a robust wrestling family.

Bajrangi Bhaijaan is the moving story of Pavan's quest to unite the child with her parents against all odds. Set against the backdrop of colourful Chandni Chowk, the film travels from the heartland of Punjab, through the deserts of Rajasthan, over the snow-capped mountains of Kashmir

Bajrangi Bhaijaan tells the story of how Pavan, who will move heaven and earth to fulfil the promise he made to the girl from across the border.

Story in detail:
The movie starts off with the a thing that every Indian and Pakistani like to do, watch a cricket match between India and Pakistan. The camera then pans to a pregnant woman in Sultanpur village, who decided she will name her child Shahida. 

Fast-forward six years and we see Shahida (Harshaali Malhotra) travel in Samjota express as her mother takes her to Nizamuddin Hazrat Ali in Delhi to pray for her daughter's condition.

On the way back the girl misses her train which goes to Pakistan. Helpless Shahida comes across Pawan Kumar Chaturvedi (Salman Khan) who enters with the popular Selfie Le Le Re song. Since she can't speak, Salman tries a number of ways to find out about her, during one such juncture he starts to tell about his life and past.

Here comes flashback of Pawan, where his father calls him a zero. After the death of his father, he travels to Delhi to join the akhada of Dayanand since his father wanted him to do so. Here he meets Rasika (Kareena Kapoor) and the two fall in love with each other. 

Will Pawan be able to save Shahida from a prostitution racket and reach her home safely? Will he be able to prove his worth to Rasika's father? The answers form the crux of the story.

Unknown Facts
1) Salman Khan admitted that he loved the script so much that he didn’t require much convincing. ‘Bajrangi Bhaijaan’ is Salman Khan Films first production and what a way to start a new venture!

2) Bajrangi Bhaijaan has been filmed in and around the unexplored parts of Kashmir. The film has also been shot at Rajasthan and Old Delhi. Some scenes of the film were shot at Salman Khan's Panvel farm house.

3) 'Bhar Do Jholi Meri' track, the super-hit jodi of Adnan Sami and Salman are back after a span of 8 years! 

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Movie Review:

Making a film is no easy task and making one that boasts of being India's costliest and grandest film till date on both budget and scale, definitely is a humongous challenge. But director S.S. Rajamouli attempts just that with his film BAHUBALI - THE BEGINNING, which is the first of a two part series that promises to be a saga that will most definitely go down the annals of history.

Starting off, the story of BAHUBALI follows the life of Sivudu (Prabhas) who lives a rather solitary life all but cut off from the rest of civilization. Smuggled from his kingdom and raised by Sivagami (Ramya Krishnan) in a different tribe, Sivudu fills his days scaling mountains and their likes, unaware of his noble lineage. One fateful day Sivudu encounters Avanthika (Tamannaah Bhatia) who is a master assassin from a rebel group that intends on crushing King Bhallala Deva (Rana Daggubatti) of Mahishpati and rescuing Devasana (Anushka Shetty). However despite Shivudu understanding nothing of it, he decides to assist the rebels in their cause since he is smitten by the stunning Avantika who tells him that she is sworn to protect Devasana, who is none other than late King Amarendra Bahubali's wife, Sivudu's mother and also Bhallala Deva's sister-in-law. Setting off on his journey to fulfill Avantika's duty, Sivudu moves towards fulfilling his own destiny as BAHUBALI and in process setting in motion a series of events that lead to the second chapter. But will BAHUBALI live up to expectation of being India's grandest films… Lets analyze. 

The first half of the film commences detailing Sivudu's life away from the clutches of royalty, along with detailing the characters of Avanthika, King Bhallala Deva, Devasana and Sivagami. While the first 30 or so minutes of the film go in detailing each character, the viewer is left agape at the expanse of the visual effects used. Despite being a bit slow, the story of BAHUBALI soon begins to pick up pace as it progresses to show Sivudu pulled towards his great destiny by an inexplicable urge. However, its post the interval that the film shines with riveting sequences and awe-inspiring action coupled with stunning and by far some of the most advanced visual effects. Director S. S. Rajamouli seems to have quite literally developed a definitive masterpiece, with BAHUBALI seeming to be a thoroughly Indian film with its roots firmly planted in mythology, and yet progressive enough to refrain from the age old cliché of show good is more powerful than evil. In fact here a special mention needs to be added as Rajamouli has focused on developing the antagonist as a much more powerful personality who ultimately is defeated. 

Talking about the CGI used in the film, BAHUBALI is easily comparable to the Hollywood greats like THE LORD OF THE RINGS series and even the HARRY POTTER series that featured entire towns, cities and regions artificially developed to look realistic. Compared to the usual Indian standard of CGI work in films, the effort and detail that went into making BAHUBALI is visibly evident in the stunning waterfalls, the spectacular city of Mahishmati, and the sheer cliffs. 

However, the high point of BAHUBALI comes in the form of the snowstorm that is seamlessly executed and the 30 minute long battle sequence that will leave the viewer stunned. This fantastically choreographed battle that unfurls when a murderous army lands up at Mahismati's borders sees the two brothers Sivudu and King Bhallala Deva joining forces to defeat a common enemy. Unquestionably the battle sequence that resides as the jewel in Rajamouli's crown is elaborately shot with breathtaking moments. However, the biggest surprise lies in the end when Rajamouli gives the viewers a sneak peek into what to expect from the sequel. 

Coming to the performances in the film, the casting of BAHUBALI is just perfect with every actor doing a brilliant job in their respective roles. Here a special mention goes to both Prabhas and Rana, for some outstanding work, especially for Rana who excels in portraying the angry smouldering eyed King Bhallala. Ramaya Krishnan, despite being in a supporting role manages to leave an impact. The other two supporting cast members Nasser and Satyaraj as Bijjaladeva and Kattappa are impressive as well. No Indian storyteller comes close to what S.S. Rajamouli envisions and executes on screen. Writers Madhan Karky, Rahul Koda, Vijayendra Prasad and S.S. Rajamouli have truly written and developed a masterpiece. Every sequence of BAHUBALI is a marvel that can easily be compared to the best of Hollywood. The grandiose sets, VFX, sound, edit, cinematography and most importantly, the screenplay of BAHUBALI is beyond fantastic. 

Though after watching the dubbed Hindi version of BAHUBALI one would say that filmmakers should avoid dubbing films in different languages, and rather release the original film with subtitles. While the film does have its share of plot holes with the dubbed dialects going wrong being one of them, BAHUBALI does manage to entertain despite a lengthy run time. 

On the whole, despite having a first half that is rather slow, and a ballistic second half, a film like BAHUBALI makes you proud that an Indian filmmaker dared to dream big and accomplished it. BAHUBALI is definitely not to be missed. Call it a box-office blockbuster today, but tomorrow, it will be remembered as a classic.

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Movie Review:

Ah, the Minions! Those lovable, loyal yellow creatures have warmed their way into many hearts since we first met them in “Despicable Me.” But have you ever wondered where Minions come from?

Minions have been around since the beginning of time. Whether it was working for the mighty Tyrannosaurus Rex or even Napoleon Bonaparte, Minions have always needed to serve a master, or the most powerful villain. It’s their nature. Without a master, a minion’s life is apparently unfulfilled.

The year is 1968, and the Minions are left without a master. One of the minions, Kevin, has a brilliant idea, he and his friends, Stuart and Bob, will set out on a journey to find the bad-dest villain of all for the Minions to serve. On their journey, Kevin, Stuart and Bob run into Scarlet Overkill (Sandra Bullock), who tells them that she will allow them to continue to work for her provided they can steal the Queen of England’s crown. Minions is a story of friendship, adventure… and a few bananas.

Call me a kid at heart, but I for one have always been a fan of the Despicable Me franchise. While somewhat juvenile and childlike as the franchise may be, the films always contained enough humor to satisfy both the children AND the adults.

Apparently, I wasn’t the only one who felt this way, as inevitably following “Despicable Me 2,” Universal and Illumination determined it was time to focus on the minions for once. Inevitable? Yes. Necessary? No. Successful? Well…

I’ll be frank. Establishing a film entirely based on the Minions is a risk. In my recollection, I had seen this done once with the Shrek franchise, as similarly when Shrek’s stories ended, a supporting character, Puss in Boots, had a film entirely based on him, From my perspective, it seemed to work.

Can I say the same for “Minions”? Well yes, I can. While they’re may not be a lot of “heart and sentimentality” to the movie, there sure is a lot of slapstick humor. Some appropriate, some not. But behind all the “shtick” lies a story of loyalty and friendship, and in a small way, and by the end of the movie, a sort of love for these yellow guys that can be felt by the audience. During tonight’s showing, I found myself laughing and cheering on these yellow guys, as even though they serve villains, they themselves aren’t necessarily as bad as their masters.

On top of that, from a cinematic perspective, Minions has a lot going for it. Sandra Bullock gives a stellar performance to the two sided, somewhat psychotic Scarlet Overkill, as does Jon Hamm in his role as Herb (Scarlet’s husband). The animation, also, was simply amazing, as one would expect from Illumination Entertainment.

Content for Concern

Violence: Moderate. At the beginning of the film, we see the minions’ various masters being accidentally killed in various ways (one is eaten by a bear, Napoleon is shot by a cannon, a T-Rex falls into lava, etc.). During a contest to see who will be Scarlet’s Overkill’s henchman (by means of snatching the ruby out of her hand), we see her punch, kick, and wrestle wanna-be henchman to the ground. Stuart is seen being hit in the crotch with a pole. There is also a scene where Kevin, Stuart and Bob are being tortured, unsuccessfully, by having their bodies stretched (however, they are not hurt or feel it). The three minions are seen being killed in a bedtime story. There is also a car chase scene, following a robbery by a family of robbers and the minions, where we see Stuart use a rocket launcher to take out a water tower, which causes the police cars to crash.

Language: Minor. The Minions don’t speak English and so there really isn’t much language worth mentioning. The worst includes the words “heck,” “gosh” and “blimey.”

Sex/Nudity: Moderate. There are several instances where we see minions’ rear ends. One minion is seen wearing a thong on his way to the pool; when he arrives at the pool, he is seen making out with two yellow fire hydrants. Kevin Stuart and Bob are seen dressing up as a woman in one scene, and Stuart pokes his eyes out around the woman’s chest area. There is a urination joke, as well as a scene where a couple is kissing. Some guards, once hypnotized, are told to dance, and they strip down to their underpants

Other: Be aware that crime is shown in a positive light. Dinosaurs are depicted as existing millions of years before man’s appearance. One minion is shown drinking a martini.

Spiritual Themes

“Minions” contains various positive themes of loyalty, friendship and even forgiveness. In the film, we watch as Kevin, Stuart and Bob look out for one another, take care and love each other in a brotherly manner.

As Christians, we are called to act in the same manner, setting ourselves apart from the world that, in some respects, promotes self reliance and self-fulfillment. In treating each other the Bible states,

Don’t be selfish; don’t live to make a good impression on others. Be humble, thinking of others as better than yourself. Don’t just think about your own affairs, but be interested in others, too, and in what they are doing. —Philippians 2:3-4, TLB

As such, we must make company with those who wish help us in our walk with God.

Run from anything that gives you the evil thoughts that young men often have, but stay close to anything that makes you want to do right. Have faith and love, and enjoy the companionship of those who love the Lord and have pure hearts. —2 Timothy 2:22, TLB

Closing Thoughts and Recommendation

Perhaps I was not the target audience in tonight’s early screening of “Minions,” but, as I said earlier, I couldn’t help finding myself laughing with the kids, and, yes, even the teens and adults in attendance. With the objectionable content aside, “Minions” is a colorful and decent prequel to the “Despicable Me” franchise. Parents should be aware of the slapstick violence, glorification of crime (although in a goofy fantasy world), and sexual references previously mentioned.

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